Making a Record
How we do it
Some people say the sexiest part of making a record is tracking. And while this might be true for the artist, for the engineer on the other side of the glass, it’s often what comes after tracking that is the most thrilling. After recording is over, mixing begins. This process is often a mystery to musicians so I’m going to break it down for you into three stages: Rough Mixes – These are the tracks you get before mixing begins on a granular ...
mulling over music in our town
Dan Deacon – Gliss Riffer (Domino) Nudie Suits – Summer Fun (Ehse) Lower Dens – Escape From Evil (Ribbon Music) PLRLS – Your Situation Oh Hang – Country My Skull (Friends) Hollywood Blanks – Projections Beach House – Depression Cherry (Sub Pop) Wume – Maintain (Ehse) War On Women – War On Women (Bridge Nine) Sweepstakes – Tongues Out (Friends)
Music at Large
what else is out there
Hop Along – Painted Shut (Saddle Creek) – Those vocals. The energy. It’s a complete package. And I can’t stop loving this record. Sleater-Kinney – No Cities to Love (Sub Pop) – While not a fan of bands reuniting, they certainly could have released this record 10 years ago and it would have been just as powerful. Jim O’Rourke – Simple Songs (Drag City) – I am a sucker for Jim’s more accessible records. This is no exception. ...
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